Will Wiesenfeld’s latest album as Baths is a breath of fresh air: a sweet slice of electropop that soars through the skies on rainbow wings. Following up his dark and often challenging 2013 album Obsidian, Romaplasm is a heel face turn, a joyous romp inspired by Wiesenfeld’s love for video games and comic books. Minutes before his Reddit AMA, we …
“This isn’t protest music, it’s process music.” Moses Sumney’s debut full-length was preceded by a prose poem posted on his social media accounts explaining just what his album title Aromanticism meant. To him, it’s music about a lack of romantic love, or experiencing it to a lesser degree than most people do. The album is meant as a sonic …
Spoon is nothing if not consistent. Coming up on their 25th anniversary as a band, the Austin quartet have the distinction of having been named Metacritic’s Artist of the Decade for their excellent four-album streak between 2000–2009. Hot Thoughts is their latest record, a dancey, synth-heavy, and remarkably weird record that lead singer Britt Daniel describes as “futuristic.” Already one …
For Broken Social Scene’s Andrew Whiteman, the political is personal. The multi-instrumentalist is one of the only band members to appear in every one of the band’s tours, and he’s been one of the key players in the band’s return from a seven year hiatus to release their new album Hug of Thunder. The LP is …
An interview with Broken Social Scene’s Andrew Whiteman Read More »
On Night Terrors, Holiday Friends are taking control. The Oregonian four-piece built their own studio in Portland to record their newest album, and the blood, sweat, and tears involved are easy to hear. Their music is infectious power pop with a dash of 1980s keyboard flair, perfect for late night bedroom dance parties and beach beers …
An Interview with Holiday Friends’ Scott Fagerland Read More »